《我的逆天神器》主要讲述了屌丝青年常天在一次危机时刻，竟召唤出了传说中的神兵器作为“贴身护卫”，从此便与幻化成人型的神兵器小白形影不离。在与小白并肩战斗的过程中，常天还与豪门千金楚倾城结缘，关于上元武器库、元武者的种种神秘过往也一一展开
小精灵伯纳德（马丁·弗瑞曼 Martin Freeman 配音）是一位身份卑微的粪便清理员，做事神经大条，囧态嗅事不断，而他的梦想是成为大发明家。在今年的圣诞科技大赛上，他又搞砸了实验。恰巧正是这次小小的实验意外给精灵城引来了危机。大反派班尼（蒂姆·克里 Tim Curry 配音）侵袭精灵城，所有人都面临灭顶之灾。伯纳德在重重险境中误打误撞，却惊喜不断，发现自己是唯一可以拯救这场灾难的人，在甜心女特工雪妮（阿什丽·提斯代尔 Ashley Tisdale 配音）的鼓励下，他鼓起勇气誓要挽救一切……
何家成和强子是两个在北京打工的北漂，何家成开了一个麻辣烫小店，强子则是做代驾，二人为了改变命运，追求理想煞费苦心。一天，何家成无意间看到了一则理财的广告单，相约强子一起去招商会场看看，在现场，被安之财富公司老板董天的富有煽动的演讲打动，决定和强子各投五万到安之财富公司做理财产品，没想到一个月后，非但承诺的2万分红没有拿到，而且本金也要不回来了，这一下这两个人傻眼了，到安之公司要钱未果。又相携找董天家，被保安当作坏人追赶。最后无奈之时，何家成偶然从卖家具的女友思思那里看到了董天家的具体信息，二人来到董天
丁善玺编导的本片，继《英烈千秋》后，叙述1937年8月13日日寇侵略上海，中国88师524团团长谢晋元，为牵制日军，掩护中国军队后撤，率领480青年军官，号称八百壮士，固守四行仓库，达三个月之久。军人英勇杀敌，女童子军冒着生命危险给守军输送食物、医药，当牵制任务完成，守军越过苏州桥后撤。本片的格局手法与《英烈千秋》完全不同，只限于几成孤岛上海的苏州河畔的四行仓库，数百中国军人与包围的日军进行阵地战。导演根据史实，利用四行仓库周围有英法租界，苏州河对面又是国统区，苏州河两岸战争与和平不同环境造成的戏剧冲突，表现了爱国军队抗击侵略者英勇无畏的精神，和上海人民声援国民党守军的时代气氛。导演把握住双方冲突的因素，安排丛生的险象，利用国军在枪林弹雨下游过苏州河，民众都为军人担心的正反打镜头蒙太奇剪接手法，形成扣人心弦的场面，把剧情推向高潮。本事件曾于1938年搬上银幕，是默片，由阳翰笙编剧，应云卫导演，袁牧之、陈波儿主演，是抗战时期“大后方电影”中较为著名的一部，其中女童子军冒死为壮士们送国旗的细节，具有极为悲壮的感染力。影片在当时的大后方及香港极为轰动，而且在东南亚甚至西欧都得到热烈反响。
吃鸡战场战火连天，龙争虎斗刺激无限！盒子精成伏地魔，舔包怪变快递员，医疗兵组狂暴战，战术大师败天选。谁人终成吃鸡王？请看吃鸡大作战！
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
当初因为宗教问题，安吉拉（艾米丽·沃森 Emily Watson 饰）和丈夫的婚姻并没有得到亲友的赞许。如今他们已经有好几个孩子，可是在美国生活得并不如意，贫穷折磨再加上不久前的丧子之痛，这家人决定搬回家乡爱尔兰，以祈求在那里获得富裕一点的生活。事情并没有他们想象的那样顺利，在家乡，他们仍然遭遇着亲友冷眼，开始了艰难为继的新生活。每当丈夫没有勇气干些琐碎活扛起家庭重担时，是安吉拉义无反顾的担负起一切又脏又累又卑微的活儿。命运一次次给这个坚强的母亲以打击。她的一对双胞胎孩子相继去世，丈夫到英国谋生却没能改善困窘的家境，安吉拉从不放弃地寻求救助，并教会儿子弗兰克（乔·布林Joe Breen 饰）生存的尊严，母亲的光辉在弗兰克的一生里都不会褪色
男主陈重因送红包花光积蓄30万，怒而伙同好友们策划一系列意想不到的“回本”计划，一场由红包引发的喜剧，就此展开了……
蔚蓝宁静的大海中，生活着一对好朋友，大白鲨大猪和小竹鲨泡泡，他们终日在珊瑚礁之间穿梭游弋，注视着即将来到这个世界上的同类小伙伴。可是，贪婪的人类潜至洋底，肆意捕捞鲨鱼卵，只为满足口腹之欲。与此同时，无良的现代化工厂任意倾倒废水废料，蔚蓝的大海变得污浊不堪。大猪和泡泡各有各的烦恼，大猪一直都以轮胎为食，如今却希望能尝尝新的食物；泡泡眼见鲨鱼卵被同胞捕获，他希望能借助章鱼博士的帮助去陆地营救他的同伴。 人类对海洋的破坏越来越严重，而海里的动物们也似乎正准备联合起来拯救他们的家园……
铁剑（高山南 配音）奉父之命潜心钻研剑道，在比赛场上遇见了一生的宿敌鬼丸猛（堀川亮 配音），几番较量之下，鬼丸猛成为了铁剑的手下败将，不甘心的他被风神附体，得到了绝世珍宝风神剑。这边厢，铁剑亦得到了同样拥有强大力量的雷神剑，鬼丸猛一心想要夺走雷神剑，实现自己双剑合璧统治地球的野心，然而却总是不敌铁剑。 在彻底粉碎了鬼丸猛的阴谋之后，铁剑和一干好友踏上了寻找龙珠的旅途，贼心不死的鬼丸猛自然要从中作梗，派出剑客，阻挠铁剑的队伍。最终，铁剑完成了目标，召唤出了神龙，哪知道神龙的出现使沉寂多年的香姬（深见梨加 配音）横空出世，世界再度落入了危险之中。
《天监师之末法时代》讲述的是富商何希志为救爱女柳婷婷，不惜一切启动已失传的禁忌法术，妄图通过收集法器，及与爱女同年同月同日出生的罗熙儿之命为其续命。钦天监后人南兆天与拥有“天罡真气”的杜娇娇，为救好友罗熙儿，合力破坏何希志的阴谋。缺失了罗熙儿的人性，柳婷婷被炼成了凶残的恶魔管狐。南兆天一行人联手消灭了管狐，也破坏了何希志背后无面人的计划。