炼金术，一种建立在等价交换原则基础上的科学，将物质进行理解、分解、再构造，将一种物品变成另外一种。但是，这样先进的技术却不能进行人体炼成，这是炼金术绝对的禁忌。可是，拥有极高炼金术天赋的爱德华（朴璐美配音）和阿尔冯斯（钉宫理恵配音）兄弟，因为对母亲极大的思念不惜触犯禁忌。而最终的代价却是，爱德华失去了一条手臂和一条腿，弟弟阿尔冯斯只能将灵魂依附在一副巨大的装甲之内。终于明白一切的兄弟俩，为了恢复原状，寻求更多的炼金术知识，成为国家炼金术师踏上了寻找终极炼金物品——贤者之石的旅程。在不断的探索中，两兄弟终于发现了贤者之石背后的真相，对身处的这个军事化国家也有了更深入的了解。此时，面对国家、民族、家庭……炼金术的未来究竟在何处。
两个女人，有着相似的经历，甚至是相似的心计，展开了为求成名的争夺战。 维尔玛（凯瑟琳•泽塔-琼斯 Catherine Zeta-Jones饰）是一个夜总会舞女，名气不大。因为一怒之下枪杀了出轨丈夫而被关进大牢。比利（理查德•基尔Richard Gere饰）是当地一个靠打谋杀案官司而提升知名度的律师，他受理了这桩案件，心中有着自己的打算。他借助媒体炒作维尔玛的案子，一方面维尔玛瞬间成为红人，而他自己也声名大振。 然而洛克茜（芮妮·齐薇格 Renée Zellweger 饰）的案件却让比利转移了注意力。梦想成为歌星的洛克茜也是因为怒杀男友而身负罪名，比利决定要把她包装成楚楚可怜的受害者，令媒体更疯狂的大肆报道。 维尔玛觉察形势不妙，为了成名，她跟洛克茜之间的斗法不可避免的开始了。
本片通过小白、皮皮、依哲、冉冉、小酷他们几个主人公高中时代的青春往事，而产生的搞笑调皮和令人嘀笑皆非并且完成梦想的故事，组成了一段风趣幽默的生活画卷，讲述了一段平凡人物之间的嬉闹经历和学生时代对梦想对美好生活的追求。大学毕业以后他们各自奔波的同时也没有放弃曾经的理想，再一次的相聚让他们组成团队共同拍电影实现理想，最终他们克服困境，在资金不足器材不够的情况下仍然坚持拍摄，他们用行动打动了一个有钱的老板并帮助他们完成了电影的拍摄，从此他们也成为了很要好的朋友。通过搞笑和轻松的节奏给人们带来欢乐的同时，展现了通过努力和真诚一定会取得好的结果，诠释了憧憬美好未来和创造和谐的生活才是我们的追求和向往。
该剧改编自奥乃樱子的同名小说，故事讲述了在某饮料制造商发生了与开发中的饮料相关的重要专利被竞争对手夺走的事件，被怀疑泄露情报的开发部员·藤崎亚季，和为了调查而从母公司来的知识产权专家·北胁雅美一起，为了取回专利而奋斗。围绕“知识产权”，波澜起伏的日子即将拉开帷幕。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
该剧讲述了天才女法医谷雨潜入精神疗养院执行伪装侦查任务，不料卧底计划被一起凶杀案破坏，甚至险些被诬陷成为凶手，也因此谷雨结识了女刑警白鹭的故事。两人的性格水火不容，生活习惯也大不相同，但这个神奇的组合，却屡破奇案，她们从最初的互相对抗到彼此协助，建立了深厚的友谊。 在谷雨和白鹭侦破的一起刑事案件过程中，她们意外发现了失踪的谷雨哥哥的踪迹。而谷雨哥哥的失踪又和白鹭战友的殉职有着千丝万缕的联系，这一切都指向境外制毒团伙。二人的命运被她们牵挂着的人紧紧连接在了一起，她们有着共同的目标找到一切罪恶的源头。她们坚信痕迹之下，必有真相。
法国导演米歇尔·德维尔最大胆的一部电影。两位极具才华的演员把人生很难以简单叙述——最亲密的人际关系——的一个夜晚演绎成一段既黑暗、神秘、平淡又内疚、紧张、深刻的情侣生活写照。
11月21日 22-23赛季NBA常规赛 马刺VS湖人
江城富豪沈洞天为选择性失忆所困扰，在心理医生方依云的建议下，他决定接受深度催眠的疗法来探寻往事的真相。随着治疗的深入，尘封已久的往事逐渐浮出水面。沈洞天发现，自己的失忆和前妻杜阑珊的死有着密切关系，他很可能就是杀害杜阑珊的凶手！\r沈洞天的未婚妻莉莉和弟弟千鹤不断阻止沈洞天的治疗，这似乎更加印证了沈对自己的判断，然而，一次偶然的机会，沈洞天发现自己的心理医生方依云竟然已经\"死去多年\"，这个神秘的催眠师让事情再度变得扑朔迷离，而弟弟也似乎向他瞒着一个巨大的秘密。\r那么，事情的真相究竟是什么？谁是杀害杜阑珊的真正凶手？\"方依云\"究竟何许人也？
在上一部《我的尴尬性之旅》中大玩性喜剧的加拿大导演肖恩·加瑞提，这次呈现出180度大转变，带来一部充满神秘色彩的心理悬疑片。家庭美满但内心寂寞空虚的主妇妮可，偶然间收到匿名者寄来的神秘信件，在其指引下在不断挑战新事物与冒险，找回生活的激情，但匿名者究竟是谁？动机为何？面对不断而至的信件，妮可每次又会如何选择？米歇尔·基洛完美演绎妮可细致入微的情感转变，带领好奇的观众一同挖掘神秘信件背后的真相，而真相，绝对令你意想不到。
阿回（任达华饰）出生成长在旺角，自幼生活在黑社会老大兴叔的庇护之下，对社团里的腥风血雨早已经习以为常。大东和阿回身在同一个社团，他非常嫉妒阿回收到兴叔的赏识，处处要和他争一个高下。阿回对社团里的明争暗斗倍感厌倦，早就想离开这片是非之地。一次偶然中，阿回遇见了名为阿月（黎姿饰）的女子。阿月的身世和阿回非常的像，身患绝症的她对未来失去了希望，浑浑噩噩度日。在阿回的帮助下，阿月渐渐找到了人生的意义，她和阿回之间也产生了真挚的感情。阿凤（马浚伟饰）是帮派马仔，他被阿月的豁达深深吸引，却也知道阿月早已经心有所属。